ENGLISH PROJECT TOPICS AND MATERIALS
101. PROBLEMS OF TEACHING ENGLISH LANGUAGE AS A SECOND LANGUAGE IN NIGERIAN SECONDARY SCHOOL
102. PARADOX OF LOCATION AND POETRY IN YEIBO'S THE FORBIDDEN TONGUE AND IKIRIKO'S OILY TEARS OF THE DELTA
103. A STUDY ON THE EFFECT OF PIDGIN ENGLISH ON NIGERIAN STUDENTS
104. GRAMMATICAL ERRORS IN SECONDARY SCHOOL STUDENTS’ ENGLISH ESSAYS
105. THE PROBLEM OF ORAL EXPRESSION IN ENGLISH LANGUAGE
106. A LINGUISTIC STYLISTIC ANALYSIS OF THE CAMPAIGN SPEECHES OF TWO PRESIDENTIAL CANDIDATES IN THE 2011 ELECTIONS
107. PORTRAYAL OF WOMEN IN WIVES REVOLVE AND OUR HUSBAND HAS GONE MAD
108. ''CORRUPTION” IN THE NOVELS OF ADAOBI NWAUBANI TRICIA’S I DO NOT COME TO YOU BY CHANCE AND LABO YARI’S THE CLIMATE OF CORRUPTION
109. A PRAGMATIC ANALYSIS OF POLITICAL INTERVIEWS IN A SELECTED DAILY NEWSPAPER. (THE PUNCH)
110. A DISCOURSE ANALYSIS OF ATHOL FUGARD’S SIZWE BANSI IS DEAD
111. A PRAGMATIC ANALYSIS OF SELECTED CARTOONS IN VANGUARD NEWSPAPER
112. A PRAGMATIC ANALYSIS OF SLANG AND CATCHY PHRASES USED IN SOME SELECTED NIGERIAN HIP-HOP SONGS
113. A PRAGMATIC STUDY OF NEWSPAPER COMIC STRIPS: AN EXAMPLE OF “EFE AND JUDE”
114. A PRAMATIC ANALYSIS OF SELECTED CARTOONS FROM NIGERIAN DAILIES THE ‘GUARDIAN, THE PUNCH, AND THE NATION’
115. A SOCIO-LINGUISTIC STUDY OF CODE-MIXING AND CODE-SWITCHING IN NIGERIAN INSTITUTIONS
116. A STYLISTIC ANALYSIS OF AKACHI ADIMORA-EZEIGBO’S TRAFFICKED
117. A STYLISTIC ANALYSIS OF CHIMAMANDA NGOZI ADICHIE’S THE THING AROUND YOUR NECK
118. A STYLISTIC ANALYSIS OF SOME SELECTED POEMS OF WOLE SOYINKA
119. AESTHETIC OF AFRICANISM IN CAMARA LAYE’S THE AFRICAN CHILD AND THE RADIANCE OF THE KING
120. AESTHETICS OF RESISTANCE IN TANURE OJAIDE’S THE ACTIVIST AND HELON HABILA’S WAITING FOR AN ANGEL
121. AFRICANISM THEME AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD
122. ART AND POLITICS IN WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY AND OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN
123. CHARACTERS AND JOURNEY IN AMOS TUTUOLA’S THE PALM WINE DRINKARD AND GABRIEL AJADI’S THE FOREST OF GOD ANNOTATED TRANSLATION OF D. O. FAGUNWA’S IGBO OLODUMARE
124. CLASS STRATIFICATION, POVERTY AND SOCIAL INJUSTICE (A CRITICAL ANALYSIS OF FESTUS IYAYI’S VIOLENCE AND OLU OBAFEMI WHEELS)
125. CLASS STRUGGLE (A CASE STUDY OF FESTUS IYAYI’S VIOLENCE AND ANIMATA SOW FALL’S THE BEGGARS’ STRIKE)
126. CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY
127. CONFLICT BETWEEN TRADITIONAL AND WESTERN CULTURE (A CASE STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE LION AND THE JEWEL)
128. CRITICAL DISCOURSE ANALYSIS OF PRESIDENT BARRACK OBAMA’S INAUGURATION SPEECH (JANUARY 20, 2009)
129. CRITICAL DISCOURSE ANALYSIS OF OLA ROTIMI”S OUR HUSBAND HAS GONE MAD AGAIN
130. CULTURE AND DISCRIMINATION AGAINST WOMEN IN BUCHI EMECHETA’S THE JOYS OF MOTHERHOOD AND CHIMAMANDA ADICHIE’S PURPLE HIBISCUS
131. EMERGENT TRADITION AND THE AFRICAN POETRY, A CASE STUDY OF TANURE OJAIDE’S THE “FATE OF VULTURES” AND “ENDLESS SONG”
132. FACTS AND FICTION IN AKACHI ADIMORA – EZEIGBO’S CHILDREN OF THE EAGLE AND THE LAST OF THE STRONG ONES
133. FEMINISM USING BUCHI EMECHETA’S ‘THE JOYS OF MOTHERHOOD’ AND ZAYNAB ALIKALI’S ‘THE STILL BORN
134. FEMINIST AESTHETIC IN ZAYNAB ALKALI’S THE STILLBORN AND THE VIRTUOUS WOMAN
135. FEMINIST AESTHETICS IN OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN AND FEMI OSOFISAN’S MOROUNTODUN
136. FEMINIST PERSPECTIVES IN AMA ATA AIDOO’S CHANGES AND IFEOMA OKOYE’S BEHIND THE CLOUDS
137. FOLKLORE AND THE QUEST FOR RE-INVENTION A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH NOT A REDEEMER
138. GENDER DISCOURSE IN THE NIGERIAN SOCIETY (A CASE STUDY OF THE FEMALE GENDER IN TESS ONWUEMES GO TELL IT TO WOMEN)
139. GENDER IDEOLOGY AND SOCIAL CRISES IN IFEOMA OKOYE’S BEHIND THE CLOUDS AND MEN WITHOUT EARS
140. IMAGES OF SOCIAL VICES IN CONTEMPORARY NIGERIAN POETRY (A STUDY OF DENJA ABDULLAHI’S MAIROGO AND JIDE BALOGUN’S THE DESERT IN THE RIVER)
141. POLITICS AND AESTHETICS IN SELECTED PLAYS OF WOLE SOYINKA
142. POST–COLONIALISM AND LITERARY AESTHETICS (A STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND A DANCE OF THE FORESTS)
143. PRAGMATIC FEATURES OF NIGERIAN ENGLISH (A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE)
144. SYMBOLS OF DECADENCE IN AYI KWEI ARMAH’S THE BEAUTIFUL ONES ARE NOT YET BORN
145. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES
146. THE CONCEPT OF FEMINISM IN BUCHI EMECHETA’S SECOND CLASS CITIZEN AND OKOYE IFEOMA’S BEHIND THE CLOUDS
147. THE EFFECTS OF NIGERIAN PIDGIN ENGLISH IN UNIVERSITY COMMUNITY
148. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)
149. THE INFLUENCE OF ENGLISH LANGUAGE ON OUR NIGERIAN INDIGENOUS LANGUAGES: EXAMPLES OF BORROWING FROM ENGLISH INTO YORUBA BY UNILORIN UNDERGRADUATES
150. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD

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