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ENGLISH PROJECT TOPICS AND MATERIALS

101. THE PROBLEM OF ORAL EXPRESSION IN ENGLISH LANGUAGE
102. A LINGUISTIC STYLISTIC ANALYSIS OF THE CAMPAIGN SPEECHES OF TWO PRESIDENTIAL CANDIDATES IN THE 2011 ELECTIONS
103. PORTRAYAL OF WOMEN IN WIVES REVOLVE AND OUR HUSBAND HAS GONE MAD
104. ''CORRUPTION” IN THE NOVELS OF ADAOBI NWAUBANI TRICIA’S I DO NOT COME TO YOU BY CHANCE AND LABO YARI’S THE CLIMATE OF CORRUPTION
105. A PRAGMATIC ANALYSIS OF POLITICAL INTERVIEWS IN A SELECTED DAILY NEWSPAPER. (THE PUNCH)
106. A DISCOURSE ANALYSIS OF ATHOL FUGARD’S SIZWE BANSI IS DEAD
107. A PRAGMATIC ANALYSIS OF SELECTED CARTOONS IN VANGUARD NEWSPAPER
108. A PRAGMATIC ANALYSIS OF SLANG AND CATCHY PHRASES USED IN SOME SELECTED NIGERIAN HIP-HOP SONGS
109. A PRAGMATIC STUDY OF NEWSPAPER COMIC STRIPS: AN EXAMPLE OF “EFE AND JUDE”
110. A PRAMATIC ANALYSIS OF SELECTED CARTOONS FROM NIGERIAN DAILIES THE ‘GUARDIAN, THE PUNCH, AND THE NATION’
111. A SOCIO-LINGUISTIC STUDY OF CODE-MIXING AND CODE-SWITCHING IN NIGERIAN INSTITUTIONS
112. A STYLISTIC ANALYSIS OF AKACHI ADIMORA-EZEIGBO’S TRAFFICKED
113. A STYLISTIC ANALYSIS OF CHIMAMANDA NGOZI ADICHIE’S THE THING AROUND YOUR NECK
114. A STYLISTIC ANALYSIS OF SOME SELECTED POEMS OF WOLE SOYINKA
115. AESTHETIC OF AFRICANISM IN CAMARA LAYE’S THE AFRICAN CHILD AND THE RADIANCE OF THE KING
116. AESTHETICS OF RESISTANCE IN TANURE OJAIDE’S THE ACTIVIST AND HELON HABILA’S WAITING FOR AN ANGEL
117. AFRICANISM THEME, AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD
118. ART AND POLITICS IN WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY AND OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN
119. CHARACTERS AND JOURNEY IN AMOS TUTUOLA’S THE PALM WINE DRINKARD AND GABRIEL AJADI’S THE FOREST OF GOD ANNOTATED TRANSLATION OF D. O. FAGUNWA’S IGBO OLODUMARE
120. CLASS STRATIFICATION, POVERTY AND SOCIAL INJUSTICE (A CRITICAL ANALYSIS OF FESTUS IYAYI’S VIOLENCE AND OLU OBAFEMI WHEELS)
121. CLASS STRUGGLE (A CASE STUDY OF FESTUS IYAYI’S VIOLENCE AND ANIMATA SOW FALL’S THE BEGGARS’ STRIKE)
122. CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY
123. CONFLICT BETWEEN TRADITIONAL AND WESTERN CULTURE (A CASE STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE LION AND THE JEWEL)
124. CRITICAL DISCOURSE ANALYSIS OF PRESIDENT BARRACK OBAMA’S INAUGURATION SPEECH (JANUARY 20, 2009)
125. CRITICAL DISCOURSE ANALYSIS OF OLA ROTIMI”S OUR HUSBAND HAS GONE MAD AGAIN
126. CULTURE AND DISCRIMINATION AGAINST WOMEN IN BUCHI EMECHETA’S THE JOYS OF MOTHERHOOD AND CHIMAMANDA ADICHIE’S PURPLE HIBISCUS
127. EMERGENT TRADITION AND THE AFRICAN POETRY, A CASE STUDY OF TANURE OJAIDE’S THE “FATE OF VULTURES” AND “ENDLESS SONG”
128. FACTS AND FICTION IN AKACHI ADIMORA – EZEIGBO’S CHILDREN OF THE EAGLE AND THE LAST OF THE STRONG ONES
129. FEMINISM USING BUCHI EMECHETA’S ‘THE JOYS OF MOTHERHOOD’ AND ZAYNAB ALIKALI’S ‘THE STILL BORN
130. FEMINIST AESTHETIC IN ZAYNAB ALKALI’S THE STILLBORN AND THE VIRTUOUS WOMAN
131. FEMINIST AESTHETICS IN OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN AND FEMI OSOFISAN’S MOROUNTODUN
132. FEMINIST PERSPECTIVES IN AMA ATA AIDOO’S CHANGES AND IFEOMA OKOYE’S BEHIND THE CLOUDS
133. FOLKLORE AND THE QUEST FOR RE-INVENTION A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH NOT A REDEEMER
134. GENDER DISCOURSE IN THE NIGERIAN SOCIETY (A CASE STUDY OF THE FEMALE GENDER IN TESS ONWUEMES GO TELL IT TO WOMEN)
135. GENDER IDEOLOGY AND SOCIAL CRISES IN IFEOMA OKOYE’S BEHIND THE CLOUDS AND MEN WITHOUT EARS
136. IMAGES OF SOCIAL VICES IN CONTEMPORARY NIGERIAN POETRY (A STUDY OF DENJA ABDULLAHI’S MAIROGO AND JIDE BALOGUN’S THE DESERT IN THE RIVER)
137. POLITICS AND AESTHETICS IN SELECTED PLAYS OF WOLE SOYINKA
138. POST–COLONIALISM AND LITERARY AESTHETICS (A STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND A DANCE OF THE FORESTS)
139. PRAGMATIC FEATURES OF NIGERIAN ENGLISH (A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE)
140. SYMBOLS OF DECADENCE IN AYI KWEI ARMAH’S THE BEAUTIFUL ONES ARE NOT YET BORN
141. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES
142. THE CONCEPT OF FEMINISM IN BUCHI EMECHETA’S SECOND CLASS CITIZEN AND OKOYE IFEOMA’S BEHIND THE CLOUDS
143. THE EFFECTS OF NIGERIAN PIDGIN ENGLISH IN UNIVERSITY COMMUNITY
144. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)
145. THE INFLUENCE OF ENGLISH LANGUAGE ON OUR NIGERIAN INDIGENOUS LANGUAGES: EXAMPLES OF BORROWING FROM ENGLISH INTO YORUBA BY UNILORIN UNDERGRADUATES
146. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD
147. THE OSUN OSOGBO FESTIVAL: ITS FUNCTIONS AND AESTHETICS
148. THE ROLE OF WOMEN IN THE SOCIO- ECONOMIC DEVELOPMENT OF NIGERIA AS IN THE JOYS OF MOTHERHOOD BY BUCHI EMECHETA
149. THE SOCIOLOGICAL INDICES OF AFRICAN DRAMA (A STUDY OF WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY A LAGOSIAN KALEIDOSCOPE AND OLU OBAFEMI’S SCAPEGOATS AND SACRED COWS)
150. THEME OF VENGEANCE IN WILLIAM SHAKESPEARE’S HAMLET AND MERCHANT OF VENICE

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